Kafka in Ayodhya (Part II)

Read here the concluding part of my short story, Kafka in Ayodhya. (Published in The Star magazine, dated 29 October 2010)

Kafka in Ayodhya (a short story)

Ever since the Ayodhya verdict of Sept 30 was announced, I wanted to respond to it in my own way. Then I thought: what would Kafka make of it? This case is 60 years old.

Over three nights, I wrote this first draft. The descriptions of Kafka, his life, his likes and dislikes are all authentic. But yes, he is long dead. Gregor in the story is Gregor Samsa, the dung-beetle protagonist of Kafka's most famous story, The Metamorphosis.

Read the first part here and tell me what you think of it: Kafka in Ayodhya
(Pls ignore the typos)

Fighting terrorism with entrepreneurship

Early eighties. In a pre-liberalization India, the angry young man image of Amitabh Bachchan rules the imagination of millions—fighting his fight, achieving his goals against all odds. In such times, in a typical Bachchan-movie like flashback, a boy is running after a coal powered rail engine near Farrukhabad in Uttar Pradesh. The boy collects the raw pieces of coal that falls off the train so that his mother could cook the next meal.

The boy’s name is Shahid Parvez Sayed. When he is 12, his father passes away. He drops out of school and looks for ways to support his mother. He does odd jobs. He even sells kites from his home. He makes his own manjha (sort of an abrasive), that he brands as Shahid bhai’s manjha. He even entertains the idea of plying the manual rickshaw outside Farrukhabad railway station.

Then comes a turning point in the boy’s life. His mother sends him off to Mumbai to be with a relative. The goal is to get further education. There again in Mumbai, he does odd jobs – from fetching chai to supervising a construction site during his senior secondary school.

With the help of a benign being, determination and scholarships, Shahid lands up in the USA for a degree in Engineering (Masters in Civil Engineering, at Atlanta, Georgia,). Now in his late 30s, Shahid is finishing up his MBA in the USA and wants to come back to India to help his fellow brethren come out of the trap of poverty.

“Looking back I don’t think I did that badly,” Sahid says. “The bottom line is you dream and it will be given. Nature, Allah, God is kind to hard working good people, and this is my firm belief. There is always a road that springs up from somewhere if you have the right intention.”

“In the years of my growing up in India, I was witness – as everyone else – to a regular diet of Meerut, Bhiwandi, Mandal and anti-Sikh pogroms. Corruption ruled, and here, I was a mere small time jebroni, almost as if I had no role in deciding the future course of my life and the nation,” he says. “My journey to the US must have begun long before I actually landed here. I recall that when I was in my final year of engineering, I wrote a short story in which the hero of the story declares ‘I am either going to change the System or get out of India’.”

“At that point of time, I chose to get out of India. After completing my Masters in Civil Engineering, at Atlanta, Georgia, I did go back to India. This was 1992, and this was when my country welcomed me with the images of some folks dancing on the top of an abandoned 500 year old masjid and the later dance of evil that followed in my city.”

“Somewhere along the line, I came back here to the US, but with my heart stayed with the need to do something for the youngsters back in India, who could not avail of a better life.”

Operation ‘Threshold India’ 2009

Early this year, Shahid came out with 'Threshold India 2009', a programme to promote entrepreneurship amongst the Muslim youth. The premise of the programme was that even after nearly two decades after India’s liberalization, Indian Muslims still felt marginalized in the society. “The idea came to me in an Entrepreneurship class here in my MBA program,” he says.

He saw the answer to the ailment of Muslim backwardness in entrepreneurship. For a starter, he chose the Maharashtra College in Mumbai. He launched a workshop cum competition to make money by the female students of the college.

“A sweet young relative from SNDT Women's University brought her entire class to the forum and it became an SNDT v/s Maharashtra College competition, he says. “My young guests were in for a surprise when they were divided into 8 groups and offered Rs. 1000 each. With the help of a few tips and insights, they had the freedom to do whatever they chose to do with the money. All I wanted in return was for them to engage in some creative brainstorming to generate ideas, utilize their talents in making the money grow. It was impressed on them that it was not important if they made 50 paisa or 200 rupees, or even if they lost their allotted amount, as long as they made a sincere and honest effort in going through the process.”

“As expected the students had felt overwhelmed initially by the task of using RS 1000 to make maximum money in just one week,” says Shahid. “However, each group mentioned how their initial fears were tackled, as the creative ideas started flowing. From selling handbags, ear rings, attar to holding food festivals, making PAN cards for a lower fee to applying mehndi to foreign visitors at the Gateway of India.”

“Although two winning teams were chosen, the theme of the day was truly that everyone was a winner. Not a single team had come back with a loss.”

(More information on the project is available here)

How did the idea of helping Muslim youth came to him? “Since 9/11, I had been looking for an opportunity in helping the demoralized Muslim youth, so this idea came as a blessing. I wanted to see if I can motivate Muslim youth to fall in love with life, liberty and the pursuit of happiness.”

Shahid mentions the Rajinder Sachar report: “Compared to Muslim males, Muslim females in India have a higher percentage of finishing graduation. The Muslim male dropout rate is higher and the reasons are manifold. One : The Muslim youth feels alienated and deprived of job opportunities upon graduation, and two, they want to start earning their way sooner than later. Somewhere along the line, they lose motivation to continue the efforts that a college degree demands.”

Lack of motivation and a sense of victimhood can drive the Muslim youth to fanaticism, even terrorism. Given the conditions of the Muslim youth in India and huge opportunities that exist in the country, Shahid wants to fight the spectre of "terrorism" with entrepreneurship?

“When we can create fanatically dedicated Fidayeeen Saddam, Fidayeen 9/11 and Fidayeen 26/11, we can certainly create Fidayeen - i.e. intensely motivated - in Finance and Entrepreneurship,” he says emphatically. “I am sure the Muslim youngsters today are as brilliant as anywhere else. What is needed is a little guidance and the right resources – not just financially but even of motivation and encouragement.”

“Ideally, I would want to create entrepreneurs in India irrespective of caste, creed, religion and state of origin,” says Shahid. “However I do want to focus on a certain socioeconomic strata of our society that has been left behind. India is about to enter the elite club of developed nations and we cannot afford to leave a part of our population behind.”

Shahid is already making plans to make his dream concrete. “Preparations are on to take the next steps of “Threshold India”,” he says. “The idea is to spread this at the grassroots, across cities with more involvement and the seeking of long term winning ideas. We plan to offer micro credit loans to those who would want to take forward their ideas in the real world. As well as tacit support in these endeavors.”

Help is coming from all directions for Shahid. “Fortunately, there are some great brains in the business that are supporting me in this endeavor,” he says. “These are the people who show up in Mohallahs without a trace of hesitation, an area they would not have visited if it was not for this cause. And they are entrepreneurs/writers of repute like Piyul Mukherjee, Pia Verbic and Rashmi Bansal. Their continuous support and guidance is helping "Threshold India" sprint towards its goal with a lightning speed.”

If you want to help Shahid in his mission, contact him at shahidsayed@gmail.com

Rewritten from a longer piece published on this blog two months ago. An edited version of this raw, rewritten piece was published in the June 2009 issue of India Se magazine.

Jodhaa Akbar/Babri Masjid-Ramjanmabhoomi

After 17 years of probe, the Babri Masjid demolition report has been finally submitted by the Liberhan Commission. The contents of the report are yet to be made public. But politicians have already started the blame game.

Is it a matter of faith? Is it an issue of rule of law?

I think the problem is our definition of secularism in India. We have taken the concept of nation state from the West but not the definition of secularism. Secularism means the state is without religion. But here, the Indian state supports all religions. Can equality and impartiality be ensured in that case? After all, we are humans.

Invocation of secularism then becomes subjective. That's why we have seen so much politicking happening in the name of religion in India. In the Indian kind of secularism, rule of law becomes a joke. That's why we have riots (rioters are never punished), we have commissions (reports' recommendations are rarely implemented), but hardly any justice.

I am not very optimistic about the fate of the commission's report.

Personally, I feel that the Babri Masjid issue will remain a thorn in the side of Indian secularism, the symbol of gulf between the two blood brothers, Hindus and Muslims. I feel that Indian Muslims should have gifted the controversial structure to the Indian Hindus. Just as Akbar had, in the film Jodhaa Akbar, allowed his bride Jodhaa to build a temple in the prayer room of the Red Fort. Can there be anything bigger than peace? Doesn't Islam itself means peace?

Like, to attack and destroy does not signal strength. It signals brutality and animal power. Similarly, sacrifice does not signal weakness. It demonstrates higher values.

Is that too Bollywood type of a wish? Let me expound it a bit more.

...

Recently, when Ashutosh Gowariker's Jodhaa Akbar swept all the IIFA Awards, I made up my mind to see it. I had missed the film when it had released in the theatres. Luckily, on last Saturday afternoon, Vasantham Channel showed the movie in Singapore. I liked the film--for its gentle tone, its beautiful production, its credible acting, soulful music and above all, its message of harmony and love.

However, being a student of history (having had the opportunity of studying history from the masters of Mughal History at AMU), I could not be convinced of its authenticity. The details were there but the film did not give me a feel of the public life of the time of Akbar. I am not even going into the historical authenticity of Jodha, whose existence is denied by authentic historical records of Akbar's time.

But that is not the point of the film, as I understand it. On a plain level, it is a love story between two powerful, beautiful people--an emperor and a princess. They have an elaborate wedding, like all big budget Hindi movies have--NRI women love this kind of stuff, don't they?

But the film goes deeper than that. I think, at a subliminal level, Ashutosh wanted to appropriate the legend of Jodhaa and Akbar and create a myth: a Hindu myth. In a way, it was a Hindu appropriation of the Mughal history. The film shows the self-respect of a Rajput princess; it shows the bending of a Muslim emperor to the power of that self-respect and love triumphing over narrow religious dictats. Despite the protests of the mullahs, Akbar allows Jodhaa to have her own shrine in the Mughal palace. He abandons the Hindu pilgrimage tax and bans the forced conversion of Hindu prisoners. All very noble things to do! I am glad Akbar did that (did he?) and in fact, all Mughal emperors should have done that--at least the last two acts.

In a way, the film makes the (often portrayed as barbaric in the case of many rulers) Mughal rule more palatable to the Hindu mind (that has been made to see the 1000 years of Mughal rule, as Muslim rule, with Jizya and all that, as slavery of Hindus, destroying the great Hindu civilization). In a way, the filmmaker seems to say that yes, this is how we can remember the Mughals/India's Musilm rulers: by remembering Akbar and denying other rulers not much space in our minds and myths. And by extension, he seems to propose that this is how Indian Muslims could assimilate themselves in the Indian nation--with love and sacrifice, and mutual self-respect. You may disagree with me, but this is how I saw Ashutosh's film.

There is a great message in this film. For Muslims, the message is to be more accommodating. That's why, I was saying that Indian Muslims should have gifted the controversial place in Ayodhya to our Hindu brethren. As a gesture of goodwill. As a token of our love. As a recompense. Why did it not happen? Now it is too late. India would have been a different country today had it happened 17 years ago. Or is Jodhaa Akbar 17 years too late?

As for the film, I was disappointed only in one respect: the battle scenes could have been more impressive. After seeing several Chinese films made in recent years (especially John Woo's Red Cliff and Yimou Zhang's The Curse of the Golden Flower), one expects similar kind of action and production values and I expected that from a UTV production.

Finally, I want to say that let us banish (from our streets) all violence to the film screen. Let us keep all religions private and not allow politicians to make it a votebank issue. Let us love, live and let live. Let us be good humans.