Want to be a Bollywood scriptwriter? Here is your opportunity

I was thrilled when I heard a few days back that Anusha Rizvi and Mahmood Farooqui (I had loved their first film, Peepli Live) had written a screenplay (Opium) based on Amitav Ghosh's novel, Sea of Poppies and are going to direct the film. I look forward to movies by this talented duo who, I think, are still under-appreciated in India. 

When I read the full story, I found out that they are developing the screenplay with Mumbai Mantra/Sundance Institute Screenwriters Lab. The lab selected 8 feature films for development and Rizvi's Opium, is one of them.

Now, Mumbai Mantra is looking for new screenwriters for the Lab for 2013. If you have an idea for a screenplay, this is your opportunity. Don't miss it!

Here are the details:

The inaugural Mumbai Mantra | Sundance Institute Screenwriters Lab 2012 was an over whelming success. In a uniquely inspired Club Mahindra environment , 9 Indian screenwriters got an opportunity to engage in one-on-one meetings with 11 Creative Advisors from across the globe and get indispensable lessons in craft, a fresh perspective on their work and a platform to fully realize their material !

We are now inviting applications for the Mumbai Mantra | Sundance Institute Screenwriters Lab 2013. This is your chance to be one of the 6-8 fellows who shall be selected for a 5-day intensive workshop with Creative Advisors who are acclaimed Global Screenwriters and Directors.

Click for more info on the Lab >>

APPLY NOW for the Mumbai Mantra | Sundance Institute
Screenwriters Lab 2013

All you need is -

>>   A synopsis
>>   First five pages of your screenplay
>>   An artistic statement
>>   A cover letter

Last Date for Open Submission: June 2, 2012
Click here for the application process >>

If you have any more queries related to Mumbai Mantra| Sundance Institute Screenwriters Lab 2013, please email us at labqueries@mumbaimantra.com

Opium opus

Amitav Ghosh on his new novel, The Sea of Poppies ('The Ghazipur And Patna Opium Factories Together Produced The Wealth Of Britain'):

The bulk of the opium came from Bengal and Bihar, and no book has been written on it. I had to spend a lot of time in archives digging up original sources, finding letters and journals of opium traders. My description of the Ghazipur opium factory came from a chance discovery in the British Museum of a book written by the guy who was the head of the Ghazipur factory, a Scotsman. He wrote a book about it describing it in excruciating detail to serve as a tourist guide to the opium factory. The Ghazipur and Patna opium factories between them produced the wealth of Britain. It is astonishing to think of it but the Empire was really founded on opium.

It is an endearing interview. I liked this very much:

I am not someone who sought publicity or who would feel comfortable being like one of these mega celebrities. But as I always tell young writers, it's a great mistake to think there's only one pattern of doing things. The book industry is unlike, say, the car industry or the air-conditioner industry.

In the world of books, everything has to be different. It's like saris. No one buys a sari if someone else is wearing it. And similarly, no one buys a book which is like another one. It applies to writers as well. People recognise that it's the individuality of the writer that creates their works.